Intense, surreal, remote, dynamic. Come along with us as we chronicle the adventures of the soul through psychedelic, drone, noise, experimental, pop music based around Chicago bands in particular and local bands everywhere.

Friday, November 5, 2010

CINCHEL Update

Head over to Milwaukee Ave. Reckless to check out the Cinchel tape, they have some brand new copies over there.

I also believe there are some copies at Permanent, via Cinchel himself. Support your local stores and an exceptional local guitar artist!

Email me if you want a copy via mail, we're running low. Feel free to use pay pal for any orders: spectiveaudio [at] gmail [dot] com.

Cinchel drone.dump (including hand-made segments of a large watercolor, individually unique to each package. Kelly green tape.)

Release date: March 2, 2010

This release is personal in the most significant way; I received it as a gift after watching Chicago guitar artist Cinchel play a set at Hotti Biscotti alongside Dense Reduction and Travis Bird. It was handed to me in an elaborate, hand-made watercolor double-CD case, and it featured two astonishing releases: one featuring guitar compositions alongside various found sounds and recordings, and another featuring pure, intense, nearly endless guitar drones, sustaining for an hour.

This is a story about those guitar drones.

Endless notes sustain through both sides, as Cinchel constructs a note, leaves it there, suspends it in time, only interrupting it with sometimes chaotic, unsettling arrangements that pass through the recording with a certain peace that is completely at tension with the endless note. Textures arise with this method, and the surprise of the arrangements add to the suspense of the overall composition.

By cycling the notes, and continuously processing or manipulating the sound, Cinchel creates a dense landscape that is ominous, labyrinthine, introspective. The event of this release is your very own reflection throughout its sounds, and while focusing on its moments, peaks, and surprises, the time stamps on the progression of the tape are your thoughts, emotions, and desires that correspond to, or conspire against, the recording.

As a sonic adventure, the piece closes with an assault on the previous template for reflection, the full 40 minutes of music that precede the finale, the most brutally repetitive passage of the entire recording, a dark timbre, built completely from the sum of the previous arrangements, a climax that did not seem likely and is therefore that much more effective. By the closing loop, the tension decreases, and the mind is once again ready to reflect and encounter the emotional passages of a world that begins once the recording is completed.

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